BLOOD FOR DRACULA (1974)
aka Andy Warhol’s Dracula, Dracula cerca sangue di vergine… e mori di sete!!!
Article 2733 by Dave Sindelar
Viewing Date: 10-30-2008
Posting Date: 2-5-2009
Directed by Paul Morissey
Featuring Joe Dallesandro, Udo Kier, Vittorio De Sica
Country: Italy / France
Dracula must leave Romania because of the distressing lack of virgins; he can ingest only the blood of the untouched. He goes to Italy, where he’s sure the religious traditions will make a virgin bride easy to find.
When this movie played in my area during the seventies, I remember the local reviewer gave it the lowest rating I’ve ever seen; he used to rate them on a scale of 1 to 100, but he rarely gave ratings less than 80. He gave this one a 20. I don’t think the movie is anywhere near that bad, though I do think it’s so-so at best. It’s at least partially conceived as a comedy, with our Dracula here being perhaps the least intimidating version of the character I’ve seen; he’s sickly and given to vomiting, especially if he’s drunk the blood of a non-virgin (for what it’s worth, actor Udo Kier does an excellent job of vomiting, though I’m not sure it’s a talent really worth pursuing). Despite the fact that it’s an Italian/French movie, there’s no dubbing problem, as it was shot in English, and we get a fascinating cornucopia of accents, what with the Count’s Romanian accent, the Italian accents, and Joe Dallesandro’s New York accent. In the sex and gore departments, it’s out to out-Hammer Hammer, and though this may make it of some interest to horror fans, as a comedy it’s not really that funny (my favorite moment here was hearing Vittorio De Sica ruminate on Dracula’s name), and once you get the gist of where it’s all going, it’s fairly predictable. The movie features two famous directors in the cast; the aformentioned De Sica, and a cameo from Roman Polanski who plays a bar game in one of the movie’s more memorable scenes. One question I’ve always had is this; just how much artistic input did Andy Warhol really have in this one? And I’d love to hear confirmation on one curious fact; according to the “Fantastic Cinema Subject Guide”, Italian sources do not credit Paul Morrissey as the director of this movie, but Antonio Margheriti.