Daughter of Darkness (1948)

Article 2481 by Dave Sindelar
Viewing Date: 1-19-2008
Posting Date: 5-28-2008
Directed by Lance Comfort
Featuring Anne Crawford, Maxwell Reed, Siobhan McKenna
Country: UK

A female servant to a priest is driven out of town by women who dislike her and sense something wrong about her. She becomes a maid with a farm family, but it soon becomes apparent that she is dangerous and insane.

The last movie I’ve seen from director Lance Comfort was the poor but similarly-titled DEVILS OF DARKNESS. This one is far better. It’s not easily described; it’s a horror/crime movie, with the insanity of the maid being the primary horror element. The maid is considered a bad influence because of her power she gains over men, and Irish actress Siobhan McKenna does a stunning job in the role; she’s not conventionally beautiful by any means, but she has a way of projecting a truly unhealthy sexuality, both alluring and dangerously repressed, that makes the rest of the movie convincing. The movie has some memorable scenes, including an organ-playing sequence that recalls a moment from CARNIVAL OF SOULS, some great crowd footage, especially during the carnival scenes, and a truly memorable shot of a dog standing on the moors, his cold breath turning to smoke in the wind. The movie also features early roles for both Barry Morse and Honor Blackman. This movie is unjustly forgotten, but worth a look, as McKenna makes for one of the most memorable psychos in film history.



The Invisible Terror (1963)

aka Der Unsichtbare
Article 2480 by Dave Sindelar
Viewing Date: 1-18-2008
Posting Date: 5-27-2008
Directed by Raphael Nussbaum
Featuring Hannes Schmidhauser, Ellen Schwiers, Herbert Stass
Country: West Germany

A scientist creates an invisibility formula. Unfortunately, he vanishes at the same time a guard is murdered during a payroll robbery.

It starts out like your basic science fiction story, but once the invisibility formula starts being used, the invisible man vanishes. Unfortunately, I don’t mean just that he becomes invisible; I mean that for a goodly portion of the story, he seems to disappear from the storyline, as the movie takes a turn into krimi territory; this is a German movie from the early sixties, you know. It even name-drops the Edgar Wallace series at one point. In short, it largely turns into a crime/mystery movie, and, like too many of the krimis, too many characters clutter the landscape, and it becomes nearly impossible to follow. There’s the occasional interesting idea (invisible men show up in photographs) and the oddball character here and there (the harmonica player named Fatso who would take advantage of invisibility by following Brigitte Bardot), but for the most part, it’s a badly-dubbed bore. It did make me want to go out and buy a guinea pig, though.


King Arthur, the Young Warlord (1975)

Article 2479 by Dave Sindelar
Viewing Date: 1-17-2008
Posting Date: 5-26-2008
Directed by Sidney Hayers, Pat Jackson, Peter Sasdy
Featuring Oliver Tobias, John Watson, Michael Gothard
Country: UK

The adventures of a young Arthur, before he became king, are recounted.

My source for this one claimed it was a British TV Movie. Maybe so, but on viewing, I began to detect that unmistakable odor of episodes of a TV series edited together to form a movie. You know the sense; that feeling that you’re watching a series of disconnected stories without any real overriding arc. And, sure enough, that’s just what this is; it was edited from several episodes of a series called “Arthur and the Britons”. It doesn’t appear to be a bad series; the whole thing kept me well entertained, and the performances are all very good, with Jack Watson (as Arthur’s iron-armed sidekick Llud) and Brian Blessed (as rival warlord Mark of Cornwall) particularly memorable; the latter (who, to my mind, is notoriously given to overacting) is only over-the-top during the opening story. Then there’s the issue of the fantastic content to deal with. The basic legend of King Arthur has ample fantastic content, what with the Excalibur story and Merlin the magician coming to mind. However, the only character from Arthurian legends here is Arthur himself, and everything is done in a realistic mode; in other words, no magic or other fantastic elements. If the whole King Arthur story qualifies, this movie might qualify as borderline fantasy; as it is, it’s more historical fiction. Still, I much prefer the look and feel of this take on the character than I do in either KNIGHTS OF THE ROUND TABLE or THE SWORD IN THE STONE.


Blue Demon contra las diabolicas (1968)

aka Blue Demon Vs. the Diabolical Women
Article 2478 by Dave Sindelar
Viewing Date: 1-16-2008
Posting Date: 5-25-2008
Directed by Chano Urueta
Featuring David Reynoso, Ana Martin, Alejandro Munoz Moreno
Country: Mexico

Blue Demon must catch a gang of crooks. He must also contend with a murderer who wears a Blue Demon costume when he attacks women.

This was the first color Blue Demon movie, and it feels like a companion piece to the one I covered a little while ago, BLUE DEMON CONTRA CEREBROS INFERNALES. Same wrestling hero, same garish colors, same snazzy nightclub, same band with the thyroidal trumpet, same lack of English dubbing. With the latter condition, it is, of course, hard to follow, and you’ll probably be scratching your head wondering where the diabolical women are; the bad guys all look like men. Of course, there’s the ringleader, whose back is always turned away from us; and once you notice that the boss’s voice changing during the course of the movie, you’ll figure out the final revelation – that is, if the title didn’t give it away. Of course, with a sham Blue Demon wandering around, you know you’re going to have a fight between them at some point where you can’t tell one from the other, and sure enough, there is one; the only surprise is that it’s actually in the wrestling ring. However, the fantastic content seems particularly lacking in this one, unless some of Blue Demon’s gizmos move it into the realm of marginal science fiction. Personally, I found the follow-up movie mentioned above to be more fun.


The Manchurian Candidate (1962)

Article 2477 by Dave Sindelar
Viewing Date: 1-13-2008
Posting Date: 5-24-2008
Directed by John Frankenheimer
Featuring Frank Sinatra, Laurence Harvey, Janet Leigh
Country: USA

A Korean war veteran receives the Medal of Honor for having rescued nine men from his platoon. However, when a Major in the military begins to suffer nightmares that seem to contradict this event, he tries to find the truth. He discovers that the war hero has actually been brainwashed by communists to assassinate someone – but who, when and where?

The last movie for this series that I’ve seen from John Frankenheimer was THE EXTRAORDINARY SEAMAN; it’s hard to believe that the director of that stinker is the same man who brought us this brilliant and gripping political thriller. The story is simply amazing; it manages to combine a bizarre array of elements (such as games of solitaire, a woman’s garden club meeting on hydrangeas, a man jumping in the lake in Central Park, a dysfunctional (and possibly even incestuous) mother-son relationship, a faked hit-and-run accident, a snake bite, McCarthy’s list of “known communists”, and a magician’s trick deck of cards) into a nail-biting story about an attempted coup by communists to take over the United States. It takes a while before all the various elements start to come together, but the movie is fascinating every step of the way. The performances are all top notch, with Frank Sinatra, Laurence Harvey and Angela Lansbury in particular very strong. The movie is full of great scenes; the nightmare sequences, the moment when we discover the identity of the American operative, and (my personal favorite) the scene where Sinatra’s character attempts to undo the brainwashing of Harvey’s character. The only flaw in the movie is that Janet Leigh’s character and the subplot about her romance with Sinatra’s character is unnecessary. The fantastic content of the movie includes the brainwashing techniques and the fact that the overall political plot puts the movie into marginal science fiction territory. The cast also features Henry Silva (who engages in an early martial arts fight with Sinatra), James Gregory (as a drunken senator partially modeled off of Joe McCarthy), John McGiver (as a Senator), Whit Bissell, and Reggie Nalder. And, of course, that’s Paul Frees on narration.


Masters of Venus (1962)

Article 2476 by Dave Sindelar
Viewing Date: 1-12-2008
Posting Date: 5-23-2008
Directed by Ernest Morris
Featuring Norman Wooland, Mandy Harper, Robin Stewart
Country: UK

Two children are forced to launch themselves into space to escape saboteurs. Fortunately, they were able to save the lives of the two pilots, and they all head to the planet Venus.

This may be the only non-American sound movie serial I’ve seen for this series; I only added the word “sound” above when it occurred to me that I saw some early French serials. It’s a juvenile space adventure, made exclusively for Saturday Morning Cinema Clubs. Plotwise, it’s pretty standard stuff, with the kind of story that made for movies like FLIGHT TO MARS. Certainly, it isn’t up to the level of the Nigel Kneale science fiction TV serials of the era. However, it is interesting to compare them to the American serials of the previous few decades. When you do this, the plot feels pretty sophisticated; in each episode, something happens to advance the plot, whereas the American serials usually worked with the plot in the beginning and ending episodes and used the basic situation mostly to hang action sequences on. This serial is at its best at the beginning before they land on Venus; after that, it’s pretty cliched. According to one source of mine, this serial was edited into a feature, but that must be even harder to find than the serial itself.


Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972)

Article 2475 by Dave Sindelar
Viewing Date: 1-11-2008
Posting Date: 5-22-2008
Directed by Woody Allen
Featuring Woody Allen, John Carradine, Lou Jacobi
Country: USA

Several stories are presented based on concepts on David Reuben’s book about sex.

Three of the seven segments of this anthology movie have fantastic content; the first one, in which a court jester attempts to seduce a queen, features a ghost and a love potion; the sixth one, in which a mad scientist performing horrible experiments with sex unleashes a giant breast loose on the world, and the final one, in which the workings of a brain during a sexual encounter are portrayed as a science fiction epic. The movie is amusing enough, but I think it gets its biggest laughs when Woody Allen nails the correct styles for the genre takes on the various episodes; in particular, the third episode (which parodies Italian movies, complete with subtitling), the fifth episode (a parody of a TV game show) and the sixth episode (horror movie parody with John Carradine exceedingly well cast as a mad scientist) work the best. The other episodes have moments as well; Gene Wilder and Lou Jacobi both give great performances as, respectively, a doctor in love with a sheep and a transvestite. After this movie, Woody Allen would take another shot at science fiction with SLEEPER.