Brain 17 (1982)

BRAIN 17 (1982)
Article 4970 by Dave Sindelar
Date: 10-27-2015
Directed by Michael Part
Featuring Masahiro Kamiya, Tadao Nakamaru, Akihiko Hirata
Country: USA / Japan
What it is: TV-Movie edited from Japanese kiddie action series

A supercomputer called Brain goes rogue and creates robots to take over the world. However, one of the robots takes the side of good, and with the help of a child, takes on Brain.

Within ten seconds of this movie starting, I pegged the movie as one of those TV-Movies culled from episodes of a hyperactive Japanese kiddie action series about giant dueling robots. The special effects are bottom of the barrel for this sort of thing, you could do better dubbing in your own home, the dialogue is beyond goofy (“I’ve got a plan, and it’s a humdinger of a doozy!”), and the robots (a giant steamroller robot, a fire-breathing robot dragon, a hurricane robot that looks like a giant pinwheel, and a big jack-hammer robot) are ridiculous. It’s basically a variation on “Ultraman”. Yes, it’s awful, but it hits me in my soft spot; I can’t help but grin, shake my head, and just get lost in the nonsense. I love this sort of thing, but if you don’t, you’re liable to end up with a headache. It’s easily the funniest thing I’ve seen in a couple of weeks. Incidentally, the TV series from which it was culled is DAITETSUJIN WAN-SEBUN.

The Demon (1981)

THE DEMON (1981)
Article 4969 by Dave Sindelar
Date: 10-26-2016
Directed by Percival Rubens
Featuring Jennifer Holmes, Cameron Mitchell, Craig Gardner
Country: South Africa / Netherlands
What it is: Slasher film

A killer with a clawed glove who likes to strangle people with plastic bags is on the loose.

Usually when I see Cameron Mitchell’s name in the credits, I suspect two things. One is that the movie is not going to be very good. The other is that Mitchell will probably be the best thing about it. That’s how I feel about this one. The fact that he is a psychic who is hired to track down the killer made me suspect this was another of the many “serial killer versus psychic” movies I’ve encountered. Unfortunately (though I may be supplying a spoiler here), that particular plot thread ends so abruptly that I rather suspect that it only exists to pad out what is in most other respects only an imitation of HALLOWEEN. As far as I can tell, the most famous thing about this movie is that during the climactic chase scene, the heroine of the movie is topless. Those impressed by that detail are welcome to hunt up the movie; the rest of you need to be aware that most of the movie seems more concerned with the uninteresting love lives of a pair of schoolteachers. It generates little in the way of suspense. This was a singularly dull way for me to spend a Sunday afternoon.

DEFCON-4 (1985)

DEFCON-4 (1985)
aka Def-Con 4
Article 4968 by Dave Sindelar
Date: 10-25-2015
Directed by Paul Donovan, Digby Cook and Tony Randel
Featuring Lenore Zann, Maury Chaykin, Kate Lynch
Country: Canada
What it is: After-the-Apocalypse action

A trio of astronauts on a secret NORAD defense satellite witness nuclear holocaust, but are forced to land back on the earth. They become prisoners of a gang of punks who are after their food and trying to find a haven of safety.

Well, I will give the movie this much; at least it just doesn’t come off like an imitation of the Mad Max movies or other post-apocalyptic movies of the period. That’s not to say that there isn’t some influences to be found; for example, having the main villain wear an earring is at least a mild nod in that direction. The trouble is that the movie never really develops much of a real identity of its own; it’s not directed with much flair, and it’s only adequately acted. There’s some interesting ideas in the script; I liked the idea of one of the astronauts seeing a one-way transmission from his wife in which she confides with him that her way of coping with his absence is to believe that he’s already dead, and this could have been a powerful scene if the movie were better. As it is, it’s not much fun as either an action movie or in any real visual sense. At least part of the problem is that our “heroic” main character is actually a bit of a worm; it’s rather hard to root for him. Still, I think the movie is a little bit better than its reputation would have you believe.

Death Car on the Freeway (1979)

DEATH CAR ON THE FREEWAY (1979)
Article 4967 by Dave Sindelar
Date: 10-25-2015
Directed by Hal Needham
Featuring Shelley Hack, Frank Gorshin, Peter Graves
Country: USA
What it is: TV-Movie thriller

A maniac is loose on the freeway, forcing cars being driven by beautiful women into having accidents. An ambitious female reporter tries to get to the bottom of it.

Hal Needham was a stunt man turned director who specialized in light-hearted action fare with lots of stunts and car crashes and usually starring Burt Reynolds. As a director, I’ve only encountered him once before in this series with the dismal MEGAFORCE; if this movie is better than that one, bear in mind that it didn’t take much to be so. Actually, it’s interesting to see him try for a straightforward thriller rather than a comic one, and if there’s one thing the movie does well, it’s the car-driving stunt work on display here. Most of the rest of the movie is pretty bad; there’s a lot of name stars in forgettable cameos and a lot of tiresome time is spent on the reporter’s relationship with her sexist ex-lover/husband (I’m not sure which) played by George Hamilton. He’s so obnoxious that I found myself wondering whether he would end up to be the killer; as it is, you never see the latter’s face. Technically, the movie should be called DEATH VAN ON THE FREEWAY, but then, I would have had real trouble identifying the killer’s trademark music as “bluegrass” or even that it was being played on a fiddle; it almost sounds like avant-garde electronic garble. Nevertheless, the movie does hold the interest and is fairly exciting, and it also features a memorable cameo from Sid Haig. Actually, it’s not too bad for a TV-Movie. The movie’s fantastic content is that it is, of course, a variation on the serial killer theme.

Dawn of the Mummy (1981)

DAWN OF THE MUMMY (1981)
Article 4966 by Dave Sindelar
Date: 10-23-2015
Directed by Frank Agrama
Featuring Brenda Siemer Scheider, Barry Sattels, George Peck
Country: USA / Egypt / Italy
What it is: Mummy / zombie movie

A group of gold-seekers desecrate a mummy’s tomb. A mummy appears to fulfill the curse, and he brings with him a gaggle of flesh-eating zombies.

If the plot description of the horror movie you’re watching includes the following development – “Then a gang of models and photographers show up and decide this is a great place for an exotic photo shoot” -, then you most likely have a stinker on your hands. But then, what do you really expect of a “curse of the mummy” movie that thinks it’s being clever by throwing in a bunch of fashionable flesh-eating zombies into the mix? Unlike yesterday’s movie, this one looks like it at least had the help of professionals in the making of the movie. But that doesn’t change the fact the script is a confused mess, and that it tries to get most of its scares out of having half the dialogue being shrieked. There’s plenty of gore in the final reel, but there’s little in the way of real tension and it’s too shrill to be much fun. The best thing about this one is the Egyptian locations; beyond that, it’s just tiresome.

Curse of the Headless Horseman (1972)

CURSE OF THE HEADLESS HORSEMAN (1972)
Article 4965 by Dave Sindelar
Date: 10-22-2015
Directed by Leonard Kirtman
Featuring Ultra Violet, Marland Proctor, Claudia Reame
Country: USA
What it is: Seventy-five minutes of exposed film

A young man inherits a ranch, but can only keep it if he makes it successful as a tourist attraction. But can he keep it going with a headless horseman on the loose?

You know, when making a movie, you should really make sure that at least one of the powers that be should keep away from the drugs and remain sober. Yeah, that’s a cheap shot, but if I’ve ever encountered a movie where no one on hand seems to be striving for simple competence, this is it. Incompetent camerawork, horrendous editing, kitchen-sink score, amateurish acting, crappy sound… if you can think of something that can go wrong, you’ll see it here. The aspect of the movie that is the least bad (I can’t bring myself to say best) is the script, and that’s only because it occasionally gets an inkling that it’s trying to tell a story. If this movie was part of a multiple-title all night bill of horror movies, you can bet it would be last on the list. Depressing in every regard.

Cujo (1983)

CUJO (1983)
Article 4964 by Dave Sindelar
Date: 10-21-2015
Directed by Lewis Teague
Featuring Dee Wallace, Daniel Hugh Kelly, Danny Pintauro
Country: USA
What it is: Thriller

A mother and her son become trapped in a malfunctioning car on a remote farm when they are attacked by a rabid St. Bernard.

This adaptation of a Stephen King novel eschews supernatural thrills for a more realistic but quite harrowing premise; two people under siege in a place they can’t escape by a powerful rabid dog. Teague’s direction is solid and once the victims are trapped, the suspense is quite high. The main problem here is somewhat inherent to the story; you can only maintain the tension of this situation for a certain amount of time, and so it needs to be saved for the second half of the movie. The first half of the movie therefore has to fill out things with character development and side issues, and though Teague shows a sure hand with this section as well, some elements (such as the kid’s fear of monsters) work much better than others (such as the romantic triangle). The acting is very good, and you grow to care about the characters; even the “monster” garners our sympathy. It’s especially nice to have a child actor who we like and doesn’t get on our nerves. This isn’t the best of the Stephen King adaptations, but it’s solid and quite satisfying.

Condorman (1981)

CONDORMAN (1981)
Article 4963 by Dave Sindelar
Date: 10-20-2015
Directed by Charles Jarrott
Featuring Michael Crawford, Oliver Reed, Barbara Carrera
Country: UK
What it is: Superspy parody, “Shopping Cart Movie” division

A comic book writer is mistaken for a secret agent and is assigned to help a beautiful female Russian spy to defect.

It starts out as a lame superhero parody but quickly mutates into a lame superspy parody; you’ll notice that the switch in genre does not change the leading adjective in each description. As a parody, the movie is dreadfully unfunny, and as a superspy action flick, it’s dull and uninspired; the script is particularly weak. You’d think that, this being from Disney, at least the special effects would be impressive, but it doesn’t look like they bothered to expend much effort or pay any attention to this one at all. There’s a few good stunts, a couple of fun gadgets, and one oasis in the acting department with the presence of Oliver Reed as the villain; beyond that, this one is pretty depressing. It sets itself up for a sequel at the end, but understandably, it didn’t come about.

Angel on my Shoulder (1980)

ANGEL ON MY SHOULDER (1980)
Article 4962 by Dave Sindelar
Date: 10-19-2015
Directed by John Berry
Featuring Peter Strauss, Richard Kiley, Barbara Hershey
Country: USA
What it is: TV-Movie remake of forties classic

The devil recruits the soul of a gangster being punished in hell to possess the body of a look-alike incorruptible D.A. and ruin his reputation. However, things do not go as planned…

Two minutes into this movie I was ready to consign it to the dustbin. Why? Because the character of the gangster in the opening scene seemed to be such a compendium of old-movie gangster cliches (ESPECIALLY the lingo) that I found it impossible to take him or the movie seriously. The fact that the movie then manages to flub my favorite line from the original version certainly didn’t help matters either. It’s not until the gangster is in possession of the D.A. and begins to develop a conscience that the movie starts to right itself and begins to win me over. It never succeeds completely; though I don’t object to them updating the movie to the present, I’d rather they did so with the beginning of the movie as well rather than setting it in the past and then piling on a series of ineffective jokes about a man from the past trying to adjust to the technologies and mores of the present. Peter Strauss’s performance is fine once the movie starts to work, and though Richard Kiley is certainly no Claude Rains, he does well enough as Mephistopheles. No, this remake doesn’t hold a candle to the original, but it’s not totally worthless, either. I do, however, find myself wondering if one of the main characters ends up in heaven or Metaluna, though; you have to see the movie to know why I wonder this.

Coma (1978)

COMA (1978)
Article 4961 by Dave Sindelar
Date: 10-18-2015
Directed by Michael Crichton
Featuring Michael Douglas, Rip Torn, Genevieve Bujold
Country: USA
What it is: Medical conspiracy thriller


When her best friend goes into a coma after a routine medical procedure, a female doctor discovers that an unusually large number of young people have suffered the same fate. However, she finds her life in danger when she investigates further.


This movie does not feature Crichton’s favorite theme about technology gone awry; though it does involve technology, the evil here is distinctly human. But then, it’s not based on one of his own works, but rather on a novel by Robin Cook. It does feature the associated theme of an evil conspiracy, though, and it does bear a certain resemblance to PARTS: THE CLONUS HORROR. Though he does know how to build up the suspense, I have trouble with Crichton’s pacing; it takes way too long to get the story moving, and there are certain other scenes that drag on a bit too long. Nevertheless, the acting is good, and it works itself up to a good climax. The fantastic content is mostly found in the way the coma patients are treated at the Jefferson Institute. All in all, this is a decent thriller.