The Emerald Isle (1949)

The Emerald Isle (1949)
Article 5809 by Dave Sindelar
Date: 7-12-2020
Directed by Seymour Kneitel
Featuring the voices of Jackson Beck, Jack Mercer and Mae Questel
Country: USA
What it is: Follow the bouncing ball

The world of Ireland is explored, and everyone gets to sing a song.

Famous Studios at Paramount put out a whole slew of “Screen Songs”, shorts that were half-cartoons and half “follow the bouncing ball” singalongs of some song, in this case the song being “MacNamara’s Band”. Though they were probably fun events in a crowded theater, as cartoons they were rather forgettable. I don’t think I’ve covered any of these before this, and I probably wouldn’t have reviewed this one if a few ghosts hadn’t popped up and done a jig as one of the gags. As far as I can tell, this is a typical entry of the series, and unless one of them really ratchets up the fantastic content, I probably won’t be covering another one.

Eliza on Ice (1944)

Eliza on Ice (1944)
aka ‘Eliza on the Ice’
Article 5808 by Dave Sindelar
Date: 7-11-2020
Directed by Connie Rasinski
Featuring the voice of Tom Morrison
Country: USA
What it is: pretty ironic

The chase scene in “Uncle Tom’s Cabin” is performed as a sporting event. Will Mighty Mouse prevent Simon Legree from prevailing?

Given how many ordinary, uninspired and just plain dull Mighty Mouse cartoons there are, I wouldn’t be surprised if some people wonder where the imagination and creativity (which should be there) have gone to. I think I found the answer; it went here. It is one of the most energetic, funniest, and fastest-moving of the Mighty Mouse series, and it has an absurdist Tex Avery feel to it as well. It might be considered one of the best of the Mighty Mouse cartoons if it didn’t have a major problem; it is so full of offensive racial stereotypes that it will probably languish in obscurity. It certainly won’t be popping up on TV any time soon.

The Electric House (1922)

The Electric House (1922)
Article 5807 by Dave Sindelar
Date: 7-10-2020
Directed by Edward F. Cline and Buster Keaton
Featuring Buster Keaton, Virginia Fox, Joe Keaton
Country: USA
What it is: Buster Keaton short

Due to a mix-up of diplomas, a botanist is mistaken for an electrical engineer and hired to electrify a rich man’s house.

Most of the shorts and features I’ve covered by the classic silent comedians have been ones where the fantastic content was pretty marginal. Not so this one. Not only is it packed to the gills with bizarre modern-house gadgetry, but the gadgetry is front and center in terms of the comic content; you’re laughing at all the strange technical marvels in the place. Things get a little wilder when the man who should have gotten the job in the first place seeks revenge, but that just adds to the fun. Keaton is in prime form this time, especially when he has to contend with a staircase that turns into an escalator. And there’s even a little bit of horror content as well, when one of the staff of the house is mistaken for a ghost at one point. This one was a lot of fun.

Education for Death: The Making of a Nazi (1943)

Education for Death: The Making of the Nazi (1943)
Article 5806 by Dave Sindelar
Date: 7-7-2020
Directed by Clyde Geronimi
Featuring the voice of Art Smith
Country: USA
What it is: Wartime anti-Nazi propaganda

It’s the story of a young German boy named Hans, and how he is indoctrinated into the Nazi mindset.

Anybody who has seen and liked the movie JOJO RABBIT might be interested in hunting down and checking out this Disney wartime exploration of the dissemination of Nazi propaganda to the youth of Germany. I wouldn’t be surprised if there was a little exaggeration in this short (both sides engaged in propaganda), but for the most part this short rings alarmingly true about how youth can be seduced, manipulated, and pressured into becoming a tool for a tyrant state. Make no mistake; this short takes itself very serious indeed, and rightfully so. It’s also something I probably wouldn’t cover if it didn’t have a sequence in which it is shown how the story of “Sleeping Beauty” is rewritten to teach Nazi philosophy; the witch is democracy, and the knight in shining armor is Hitler himself. Unfortunately, this sequence also marks the short’s biggest stumble; it abandons its serious approach and turns the ending of the Sleeping Beauty story into a slapstick farce where Sleeping Beauty is revealed to be an overweight beer-guzzling German woman who is too fat for Hitler to lift on his horse. This kind of mocking caricature is out of place here, because ultimately you feel sad at seeing children’s spirits being snuffed out to serve the Nazi cause. Nevertheless, despite its flaws, this is a powerful short.

Dutiful but Dumb (1941)

Dutiful But Dumb (1941)
Article 5805 by Dave Sindelar
Date: 7-5-2020
Directed by Del Lord
Featuring Moe Howard, Larry Fine, Curly Howard
Country: USA
What it is: Three Stooges short

The Three Stooges are sent by Whack magazine to go to Vulgaria to get a photograph of a new secret weapon. However, no photographer sent to the country has come back alive.

This short isn’t listed in any of my sources, but with the presence of the fictitious country of Vulgaria, the plot element of an invisible death ray, and a gag in which the Stooges appear as a group of headless men, I’d say there is enough fantastic content to make it qualify. As for the short itself, there seems to be a general agreement among Stooges fans that Curly was the best and funniest of the Stooges, and I suspect that the makers of this short believed that as well; perhaps more than any other short I’ve seen so far, this is primarily the Curly show, with Moe and Larry spending much of the time on the fringes. Curly gets two long sequences all to himself; in one, Curly tries to prevent his enemies from finding him hidden behind a radio by performing a one-man band routine, and in the other, he has dinner at a cafe where he tussles with a very live oyster in his soup (I’ve seen Lou Costello do a similar sequence). Even when the other Stooges are present, Curly is the center of attention, such as the scenes in the darkroom and the cigar scene. I’ve never been a big “Curly is the best” advocate, but his performance here has convinced me of one thing; he’s the only one of the many Stooges who could’ve gone on to become a comedy star on his own right without the rest of the team. And keep in mind that I said “Comedy Star”; I’m fully aware that both Joe Besser and Shemp had successful side careers as character actors, which isn’t quite the same thing.

Dumb-Hounded (1943)

Dumb-Hounded (1943)
Article 5804 by Dave Sindelar
Date: 7-5-2020
Directed by Tex Avery
Featuring the voices of Bill Thompson and Frank Graham
Country: USA
What it is: Droopy cartoon debut

An escaped convict finds himself at the mercy of bloodhound who is able to track him to wherever he runs.

Currently, my rules for reviewing a cartoon are that there needs to be fantastic content beyond a) anthropomorphic animals used as a cartoon convention and b) comic exaggeration. I will make exceptions if the cartoon is listed in one of my fantastic movie guides (in particular the Walt Lee guide) as this one is. Occasionally I do find myself wondering if I should make exceptions, such as anytime I see one of Tex Avery’s MGM cartoons He took comic exaggeration to such unheard-of levels that they seem fantastic even by cartoon standards; take the scene here where the wolf tries to make a sudden change of direction and ends up sliding right off the edge of the film for a second. However, I do feel the need to pick and choose, as my review series could easily be overwhelmed if I tried to review every cartoon I saw.

As mentioned above, this cartoon marks the debut of Droopy, the slow-moving dog of the laconic and depressed demeanor who constantly breaks the fourth wall to address the audience. He also appears to be omnipresent, as no matter where the convict goes, Droopy is there ahead of him. Droopy is more overtly dog-like in this one; he walks on all fours and even has an encounter with a fireplug. Still, the character is intact, save for a possible breach of etiquette in the final moments of the cartoon when he gets a reward. Most of the humor involves the juxtaposition of Droopy’s terse one-liners with the wolf’s extreme reactions and reality-bending attempts to get away. Granted, you have to be a cartoon lover to appreciate Tex Avery, but I am one, so I do. And I’m a big Droopy fan.

Dreamy Dud. He Resolves Not to Smoke (1915)

Dreamy Dud. He Resolves Not to Smoke (1915)
Article 5803 by Dave Sindelar
Date: 7-3-2020
Directed by Wallace A. Carlson
No cast
Country: USA
What it is: Cartoon of the silent era

A young boy steals a pipe and tries smoking it, but there are repercussions…

Most of the early silent animated films I’ve covered have been from relatively well-known names, such as Winsor McCay and Emile Cohl. But there was a wealth of other stuff as well, though most of it is lost. Some of them are only barely animated; they’re more like movie comic strips than cartoons. This is one of these obscurities, and it tells the story of a boy who learns not to smoke when the spirit of smoke raises him to the heavens and leaves him stranded on the (crescent) moon. Actually, this is one of the more satisfying of these little obscurities, as it is amusing and feels complete, unlike some of the others I’ve seen. Given the title, I don’t think I’m giving too much away to say this is all happening in a dream. At any rate, it’s worth catching if you’ve got about five minutes to kill.

Draftee Daffy (1945)

Draftee Daffy (1945)
Article 5802 by Dave Sindelar
Date: 7-3-2020
Directed by Robert Clampett
Featuring the voice of Mel Blanc
Country: USA
What it is: Looney Tunes

Enthusiastic war supporter Daffy Duck sings a different song when he discovers that he’s about to be drafted. Can he avoid the little guy from the draft board?

I wasn’t initially going to review this one since for most of its length, the only fantastic content is an anthropomorphic animal (Daffy), but the final scene of the cartoon takes place in a location that belongs in the realm of fantastic cinema, so here it is. It starts out as a satire on hypocritical patriots who give the war effort plenty of lip service until they themselves have to contend with making a sacrifice. Then it turns to wild and manic slapstick comedy (Robert Clampett’s specialty) as Daffy takes ever-more-extreme efforts to escape/destroy the little man from the draft board, one of those characters who appear to be omnipresent and indestructible. This is a solid and hilarious Daffy Duck cartoon, with the character taking at least a half-step in the direction that Chuck Jones would later take him. Apparently, the little guy from the draft board is modeled off of a character that appeared in the radio series, ‘The Great Gildersleeve’.

Do or Diet (1953)

Do or Diet (1953)
Article 5801 by Dave Sindelar
Date: 7-1-2020
Directed by Izzy Sparber
Featuring the voices of Jack Mercer, Sid Raymond, Alan Shay
Country: USA
What it is: Casper cartoon

In his quest to be friendly, Casper tries to help a turkey destined for Thanksgiving dinner to lose weight so he’ll be less appealing. However, the turkey can’t stop eating…

Casper is a little less angsty this time out, but somehow I don’t think a friendship that is dependent on one member losing weight is really not going to work out in the long run, but I’ll leave that for Casper and his therapist to work out. I will admit, though, it’s nice for a change to see Casper lose his temper a bit. I also find it interesting that he is able to find a nice house to live in despite being dead. And I’m still waiting for Casper to figure out that some of his problems end up working out by being able to scare the right people at the right time. At any rate, I find Casper easier to endure when he’s being less tear-jerky as he is here.

Don’t Panic (1988)

Don’t Panic (1988)
Article 5800 by Dave Sindelar
Date: 7-1-2020
Directed by Ruben Galindo Jr.
Featuring Jon Michael Bischof, Gabriela Hassel, Helena Rojo
Country: Mexico
What it is: Mexican slasher

A group of friends buy a teenager a Ouija board on his birthday and try to use it. Afterwards, the man who had the birthday begins having visions of his friends being killed, but his attempts to save them just make him a suspect.

Given my past experience with earlier Mexican movies, I was hoping that this late eighties entry might have some of those weird little touches that make them more interesting than they would otherwise be. There are a couple; there’s a slight touch of giallo here, and I liked that some of the messages received by the hero are through the TV set. Still, at heart, it’s really just a slightly cheesier version of a slasher movie, albeit one that forgoes some of the more pervasive cliches of the form. It’s not truly awful, but it really isn’t particularly special either.