Article 5663 by Dave Sindelar
Directed by George Nichols
Featuring Florence La Badie, Harry Benham, Anna Rosemond
What it is: Fairy tale
Thanks to her fairy godmother, Cinderella gets a chance to go the ball and dance with the prince. What will happen?
If you’re going to do a comprehensive review of fantastic cinema, you’re going to encounter a lot of fairy tale adaptations, and I wouldn’t be surprised if the story of Cinderella proved to be the most common of these. I’ve seen so many versions that after a while, I grow to appreciate any new detail that adds a bit of novelty to the story. This short take on the tale has a few. To begin with, Cinderella’s father actually appears as a character; in most versions, he either never appears or is assumed to be dead. Granted, the most he’s really given to do is to have a scroll grabbed from him by the dominating stepmother, but at least he’s present. Another novelty is that the coach, horses and footmen and magically created indoors rather than outside, which forces the fairy godmother to create a magic exit for the coach to go through. Last is that the fairy godmother makes a final appearance at the climax of the story. These may be small details, but with a story that is so familiar, I found them to be welcome distractions, though taken as a whole, this is just another version of a familiar tale.