Rabbit Hood (1949)

RABBIT HOOD (1949)
Article 5305 by Dave Sindelar
Date: 11-24-2016
Directed by Chuck Jones
Featuring the voice of Mel Blanc and Errol Flynn in his entirety
Country: USA
What it is: Bugs Bunny cartoon

Bugs Bunny runs afoul of the Sheriff of Notthingham when he tries to steal a carrot from the royal garden. Will Robin Hood come to his rescue or will Bugs have to deal with the sheriff himself?

This take on the Robin Hood legend isn’t quite up to the level of the Daffy Duck cartoon ROBIN HOOD DAFFY, but it’s still a classic in its own right. This one I remember vividly from my childhood; in particular, the poem recited by Little John in the cartoon’s running gag always brings back memories. The cartoon has a number of great moments; one of my favorites is when the Sheriff of Nottingham gets played for a fool at one point, and it takes him an enormous length of time before he realizes it. I also like the speedy cake baking that Bugs performs at one point. The character of Bugs provides the only real fantastic content in this one (anthropomorphic animal), and it is fun to see Errol Flynn appear in a short clip from his most famous movie.

Nurse-Mates (1940)

NURSE-MATES (1940)
Article 5304 by Dave Sindelar
Date: 11-23-2016
Directed by Dave Fleischer and Orestes Calpini
Featuring the voices of Pinto Colvig, Margie Hines, Jack Mercer
Country: USA
What it is: Popeye cartoon

Popeye and Bluto compete to see who can care for Swee’Pea while Olive goes to the beauty parlor.

When I covered I LIKE BABIES AND INFINKS, I found myself in the position of dealing with a Popeye cartoon in which no character was given superpowers by the consumption of spinach, a plot element that remains this series’ biggest ace in the hole as far as fantastic content is concerned. Basically, this cartoon is more of the same, only less; not only is no spinach consumed, but the foodstuff makes no appearance whatsoever here. Furthermore, the gags are less wild and are less likely to verge into the fantastic; the biggest exception (and for my money, the best gag in the cartoon) is when Popeye uses spot remover on Swee’Pea to remove ink stains and believes he’s removed the baby’s face as well. All in all, I found this a little less entertaining than that previous short. Jack Mercer still does some of his trademark muttering for Popeye, but the humor doesn’t seem quite as pointed. It’s still much better than the Popeye cartoons of the fifties, however.

Puss in Boots (1936)

PUSS IN BOOTS (1936)
Article 5303 by Dave Sindelar
Date: 11-21-2016
Directed by Lotte Reiniger
Voice cast unknown
Country: Germany
What it is: Silhouette-animated fairy tale

A boy is sent out into the world with only a few items and a cat to keep him company. However, when he buys boots for the cat, the cat helps him to be a success.

The songs and dialogue in this short are in German, but the story is familiar enough and the short pretty much follows the standard story. Like all of Reiniger’s shorts, the silhouette animation is engaging and creative; I especially like the encounter with the giant that makes for the climax of the story. I also like the closing scene, which I don’t recall from previous versions of the story, but which gives a nice, fitting close to it. It’s not one of Reiniger’s most breathtaking efforts, but it is very enjoyable.

Porky’s Road Race (1937)

PORKY’S ROAD RACE (1937)
Article 5302 by Dave Sindelar
Date: 11-19-2016
Directed by Frank Tashlin
Featuring the voices of Elvia Allman, Dave Barry, Billy Bletcher
Country: USA
What it is: Porky Pig cartoon

Porky enters a road race. Will he win?

Porky Pig = Anthropomorphic animal, but he’s the only one in this cartoon. So who are the other racers? They’re a wide assortment of stars of the period, and though I can’t name them all, we get Laurel and Hardy, Charlie Chaplin, W.C. Fields, Greta Garbo (her feet, anyway), Charles Laughton (as Captain Bligh), Clark Gable, etc. However, to up the fantastic content, we get a character named Borax Karoff as the Frankenstein Monster, and he’s the villain of the piece (as you might expect), so we get a little horror into the mix as well. Actually, it’s a good thing this one is swimming with stars to add to the fun; the jokes aren’t particularly inspiring this time round. In fact, the best joke may be the opening blurb, which emphasizes the fact that the cartoon is pure fiction and that the characters within have no connection with real people.

The Poor Little Rich Girl (1917)

THE POOR LITTLE RICH GIRL (1917)
Article 5301 by Dave Sindelar
Date: 11-18-2016
Directed by Maurice Tourneur
Featuring Mary Pickford, Madlaine Traverse, Charles Wellesley
Country: USA
What it is: Comedy/Drama

The daughter of a businessman (who is too busy trying to make money on Wall Street) and a mother (who is obsessed with making it in society) feels isolated and lonely, and tries to find fun and joy in her life.

Mary Pickford was in her mid-twenties, but thanks to her vivaciousness, energy and charm, she manages to pull off the challenge of playing an eleven-year-old girl in this one; in fact, her charm is easily the best thing about this movie, which ends up being less than subtle in dishing out its moral lesson. Still, I do find the fantastic content to be rather interesting here. It doesn’t really fully come into play until the second half of the movie when the girl is almost fatally poisoned by a neglectful servant and has a delirious fever dream in which she sees several metaphorical phrases given physical manifestation; a woman who is two-faced has two faces, a servant described as a snake-in-the-grass is literally seen as such, and her father makes money using a huge machine that does just that. Some slightly odd touches here and there also add a bit of fun to the proceedings and keep things from getting too stodgy.

Plane Crazy (1928)

PLANE CRAZY (1928)
Article 5300 by Dave Sindelar
Date: 11-16-2016
Directed by Walt Disney and Ub Iwerks
Featuring the voice of Walt Disney
Country: USA
What it is: Mickey Mouse cartoon

Mickey seeks to become a pilot like Lindbergh, and invites Minnie to accompany him in the first flight aboard a makeshift plane. Things do not go smoothly.

This was the first Mickey Mouse cartoon. It was shot silent, but after STEAMBOAT WILLIE was released, a soundtrack was added and it was re-released. There are plenty of anthropomorphic animals and impossible gags to add to the fantastic content. There’s a fair amount of risque humor here, including jokes about Clarabelle Cow’s udders, outhouses, and Minnie’s underwear. Despite his later reputation, Mickey is hardly a nice guy in this one; he’s a veritable masher as he makes unwanted passes to Minnie while in the airplane and ends up trying to scare her when she resists. The cartoon is quite well done, but it is working in that early animation style that looks pretty rubbery today.

Mama’s Little Pirate (1934)

MAMA’S LITTLE PIRATE (1934)
Article 5299 by Dave Sindelar
Date: 11-15-2016
Directed by Gus Meins
Featuring George ‘Spanky’ McFarland, Matthew ‘Stymie’ Beard, Scotty Beckett
Country: USA
What it is: Our Gang short

After hearing a newspaper article about the discovery of pirate treasure in a cave, Spanky gathers together the other members of his gang and they set out on a spelunking expedition.

During the first half of the short, I was thinking that the fantastic content would consist of the fact that Spanky has a conversation with his evil doppelganger in which the latter tries to tempt him into disobeying his mother. However, when the kids discover a huge treasure chest, the short takes a turn into full-blown fantasy, and this is further enhanced when they end up in the home of a full-blown medieval giant. Sure, the giant is played by a “really tall guy”, but it works in this case because the kids are so small that he really does tower over them. The sequence with the treasure chest and the giant is indeed a lot of fun, but I do feel a little disturbed by other aspects of this short. In particular, a scene where Spanky decides to anchor a spool of string by tying one end around a little black girl’s neck manages to go beyond political incorrectness and into the realm of real irresponsibility; I’d feel queasy about it no matter what color the child was. It’s the biggest sour note in what is otherwise a fairly entertaining short, and it really isn’t alleviated by the fact that the little girl is being played by a little boy.

The Pit (1962)

THE PIT (1962)
Article 5298 by Dave Sindelar
Date: 11-14-2016
Directed by Edward Abraham
Featuring Burt Letts, Dave Lloyd, Brian Peck
Country: UK
What it is: Poe adaptation

A man is sentenced to death by the Inquisition and undergoes horrible torments.

In case you haven’t figured it out from the title and plot description, this is an adaptation of Edgar Allan Poe’s “The Pit and the Pendulum”. As such, it is one of the only ones that retains the Inquisition setting, and, at a length of only about 27 minutes long, it doesn’t feel compelled to add unnecessary elaborations to the story. It’s also one of the most faithful versions of the story I’ve encountered. There are a couple of differences; one involves the absence of rats in the movie, which, given this was an experimental film that no doubt had certain budgetary constraints, is probably due the logistical problems of adding them to the mix. The other difference is in the ending of the movie, and I think this is due to the fact that one of the goals of the movie was to shoot it with as little dialogue as possible; the only coherent spoken word is “morte”. The ending as written would most likely have required more dialogue; as filmed, no more was needed. It’s moody, evocative and quite effective; still, I feel the change in ending does weaken the story, at least in my eyes.

Little Hiawatha (1937)

LITTLE HIAWATHA (1937)
Article 5297 by Dave Sindelar
Date: 11-13-2016
Directed by David Hand
Featuring the voices of Sally Noble, Mary Rosetti, Millie Walters
Country: USA
What it is: Disney Silly Symphony

Little Hiawatha goes out with his bow and arrow to hunt forest animals, but breaks them when he discovers he doesn’t have the heart for it. Then he meets a bear…

The first half of this movie is pretty much the Disneyesque whimsy you’d expect. This is, of course, not a bad thing, and Disney was good at this approach. Still, the cartoon really takes off when the title character meets the bear; Disney was also great at the scary stuff, and you will find yourself concerned for Hiawatha’s life. As far as the fantastic content goes, this has less than you’d expect from a cartoon. The animals aren’t entirely anthropomorphic, but they’re given some human touches, such as laughter and cleverness, so they can’t quite be called realistic depictions of animals. At any rate, this is a good Disney cartoon.

Goona-Goona (1932)

GOONA-GOONA (1932)
aka Kriss
Article 5296 by Dave Sindelar
Date: 11-12-2016
Directed by Armand Denis and Andre Roosevelt
Featuring natives of Bali
Country: France / USA
What it is: Half documentary / half melodrama

A Balinese prince returns to Bali from Europe to marry the daughter of a raja, but he desires a girl who works in the market who is married to a local worker. However, the local sorcerer has a love potion…

One could argue that this movie wanders away from the plot too often, but that would be missing the point that the movie seems primarily to be a documentary of sorts on the daily life of the natives of Bali. As such, it’s certainly more interesting for its snapshots of Balinese life; I’m especially taken with the native masks worn during a ceremony to drive evil spirits away before a marriage. The main title refers to the love potion that provides the movie’s fantastic content; the alternate title stands for a special type of knife handed down as an heirloom that plays into the story. This movie was distributed on a states right basis, most likely due to the extensive topless nudity in the movie; Balinese women only wear tops during ceremonial occasions. Due to the way it was distributed, lengths of prints of this movie range from 42 to 70 minutes long; for reference purposes, the print I saw ran 65 minutes. The story itself isn’t particularly novel, but it has its uses as a cinematic snapshot of an island culture.