LAST CANNIBAL WORLD (1977)
aka Ultimo mondo cannibale, Jungle Holocaust, The Last Survivor
Article 3482 by Dave Sindelar
Viewing Date: 1-20-2011
Posting Date: 2-26-2011
Directed by Ruggero Deodato
Featuring Massimo Foschi, Me Me Lai, Ivan Rassimov
What it is: Italian cannibal film
A plane lands in the jungle, but the passengers discover that the camp they were searching for has been deserted and the residents eaten by cannibals. In their attempt to rescue one of their own members, they get lost, and must contend with the cannibal tribe while trying to get back to their plane.
My copy of this movie opens with a short interview from Ruggero Deodato in which he makes some interesting comments about the movie. He talks about the grueling process in which it was made (it was shot in a remote difficult-to-access area using real natives), praises the bravery of his cast (which, given the actions they are asked to do, seems fitting), and denies responsibility for the animals-killing-animals footage, which he claims were added by the producer against his wishes. Maybe so; the scenes of snakes attacking and killing other animals do feel tacked on and don’t always match the surrounding footage. However, some of the human-killing-animals footage doesn’t feel tacked on, and the scene where a crocodile is killed and eviscerated in onscreen detail looks too real to be faked, and provides a plot point, so I’m not sure I can hold Deodato blameless in this regard.
Of the Italian cannibal movies I’ve seen to this point, this is easily the most savage and the nastiest; it is also better made than the others I’ve seen. However, since the whole genre is rather offensive, one almost wishes it was poorly made so one could discard it; as it is, like it or not, the movie does have a certain power to it. It was the first of a trilogy of cannibal films helmed by Deodato, the second of which (CANNIBAL HOLOCAUST) is perhaps the most notorious of the whole genre. During the interview, Deodato talks about how the success of this movie gave him the means to shoot that later movie the way he wanted to, but how the censorship problems caused by the latter movie left him unable to work for three years. The movie is grotesque and nasty, and though it’s effective in some ways, there are some real ethical problems to contend with. I couldn’t help but wonder about the natives that were used in the movie; were they even cognizant of what they were doing and how the movie was portraying them?
You know, when I started this whole series, I never envisioned the day when I would have to start dealing with Italian cannibal movies, and had I even considered it, I would have thought that I would probably have abandoned the project long before they would come up. Well, I’m still doing it, and here they are, and I can’t help feeling a bit nostalgic for the days when I was still looking forward to the next Universal classic to come up on my list. As it is, I’m forging on ahead.