Alcofribas, the Master Magician (1903)

ALCOFRIBAS, THE MASTER MAGICIAN (1903)
aka L’enchanteur Alcofribas
Article 4202 by Dave Sindelar
Date: 4-13-2013
Directed by Georges Melies
Featuring Georges Melies and Jeanne d’Alcy
Country: France
What it is: Magic trick short

A man pays a magician money to conjure up a woman. The man is hoping to court the woman when she appears, but it seems that the magician has other ideas.

This is another of Melies’s magic trick shorts, though it starts out pretending it has a plot with a man trying to get a magician to conjure up a female companion for him. The reason it doesn’t work out that way is simple; the magician is far more interested in showing off his various magic tricks than fulfilling the man’s wishes. So, once he makes a complete woman appear (his first trick only conjures up half a woman), he then uses her as a prop for other tricks, much to the frustration of the man who paid his money. This isn’t one of his better shorts; it looks ragged around the edges and the special effects seem rather clumsy at times. Melies has done better.

L’Idee (1932)

L’IDEE (1932)
aka The Idea
Article 4201 by Dave Sindelar
Date: 4-12-2013
Directed by Berthold Bartosch
No cast
Country: France
What it is: Animated allegory

While contemplating the universe, a man engenders an idea personified by a naked woman whom he sends out to the world. The idea is rejected unless it is clothed, but it refuses to be so. The man tries to defend his idea, but is judged, found guilty, and executed. Can the idea continue to exist without him?

Outside of some opening titles in French, this animated short (it uses paper cutouts for its effects) has no dialogue and tells its story with visuals and music; it seems to be mostly famous for using an instrument known as Ondes Martenot, which I gather is a theremin of some sort. It is primarily an allegory about the rise of, resistance to, and acceptance of new ideas, and despite some moments that are a little obscure, it’s mostly easy to follow and understand. It reminds me somewhat of a movie I’ve seen recently (though not for this series) called HYPOCRITES from 1915; that one also uses a naked woman as a symbol, in that case Truth, and is once again rejected by society because they can’t handle the “naked truth”. It’s quite engaging in its way, it’s thematic obviousness somewhat offset by the fact that it only run 25 minutes. Still, the wonderful, moody animation makes it worth hunting up.

La maison ensorcelee (1908)

LA MAISON ENSORCELEE (1908)
Article 4200 by Dave Sindelar
Date: 4-9-2013
Directed by Segundo de Chomon
Cast unknown
Country: France / Spain
What it is: Haunted house trick film

Three travelers duck into a deserted house on a rainy night, only to have their night interrupted by weird goings-on.

This title has actually been on my hunt list for quite some time, so I was delighted to stumble across a copy of it on YouTube. Yet, I find that there’s something very familiar about this one; in particular, there’s a moment where the exterior of the house turns into a giant face that I definitely recall having seen before. At any rate, this is the sort of thing I’d expect from Chomon; half of it is very Melies-inspired, while other moments seem original with him. There’s a scene where the items on a dinner table prepare themselves that is pretty fun; a knife cuts up sausage and bread on its own, coffee pours itself, etc. There’s a demon-like figure that shows up in a painting and then manifests itself as a giant in the final scene. It’s actually a little bit on the scary side, despite the fact that the three travelers appear to be clowns… or, maybe it’s because they are clowns that it’s so scary. Yes, I can’t resist another scary clown joke.

**NOTE** At the time this was written, I thought I was watching THE HAUNTED HOUSE (1906) aka LA MAISON HANTEE, It is now apparent that I was watching a copy of LA MAISON ENSORCELEE that was mistitled, which explains why I found it very familiar; I already had a copy of that one. Thanks to doctor kiss for setting me on the right track.

The Hand of the Artist (1907)

THE HAND OF THE ARTIST (1907)
Article 4199 by Dave Sindelar
Date: 4-8-2013
Directed by Walter R. Booth
Cast unknown
Country: UK
What it is: Trick short

Photographs come to life after having been manipulated by a pair of hands.

I found two videos for this short on YouTube; one was two minutes long, and the other was only one minute. The two minute video seems to consist of two shorts, both of which have the title THE HAND OF THE ARTIST; in one, an artist draws a photograph-quality picture of two characters who then come to life and interact. In the other, the hands tear in half a photograph of two people so that each person is in a separate half of the tear; he then crumples them and places them on a board where they come to life as their respective people and perform a cake-walk. The second video included only the second of these shorts.

Now according to IMDB, the plot description is “An artist draws a coster(sic) couple who come to life and dance a cakewalk.” Though I have no idea what the word “coster” means in this context (if it’s a misspelling, I have no idea what the word is supposed to be), I can’t help but notice that the description doesn’t quite match either of these two shorts individually; in the first, there’s no cakewalk, and in the second, there’s no drawing of the couple. The description does, however, work for both shorts taken together, so maybe it is a single short.

Another odd detail about the IMDB listing is that it is described in the trivia section as the “first British animated cartoon”. If so, then I’m wondering just where the “animation” is. When the pictures come to life, it’s obviously live action footage we’re seeing and not animation. The building of the picture in the first short might qualify, though it looks more like an interesting special effect than animation per se. On its own terms, it’s fairly entertaining to watch; it just seems to raise a few questions in the watching of it.

ADDENDUM: Since I wrote this, a fact came up that clarifies things. It appears the two-minute version I saw was really two clips from the whole short, which runs closer to six minutes. This explains the plot description questions I had, as well as making it quite possible that I never saw the part of the short that was animated.

Malice in Slumberland (1942)

MALICE IN SLUMBERLAND (1942)
Article 4198 by Dave Sindelar
Date: 4-7-2013
Directed by Dave Fleischer or Alec Geiss
No voice credits
Country: USA
What it is: Cartoon

An anthropomorphic dog is kept from sleeping by a drippy faucet.

I’ve not been very impressed by the Columbia animated shorts I’ve seen to date; this is probably the best that I’ve seen. This may have to do with the presence of Dave Fleischer in the credits, but IMDB credits Alec Geiss as the director and doesn’t list any extra credits, so I don’t know if the entry is in error or if Fleischer worked in some other capacity on the short. It’s a pretty basic cartoon concept; the dog tries everything he can to try and drown out the noise, and when nothing works, he takes increasingly drastic measures to stop the leak. On top of the anthropomorphic dog (I’m not saying talking dog, because other than a shriek at one point, he keeps silent), we have a sentient drip of water and a general air of slapstick outrageousness for the fantastic content. It’s not great, but it’s fairly entertaining.

The Magician’s Cavern (1901)

THE MAGICIAN’S CAVERN (1901)
aka L’antre des esprits
Article 4197 by Dave Sindelar
Date: 4-6-2013
Directed by Georges Melies
Cast unknown
Country: France
What it is: Magic trick

A magician does tricks with skeletons, dancing ladies and furniture.

I found yesterday’s trip into the world of Melies’s magic films to have points of interest that made it more interesting than usual; today’s is, I’m afraid, a much more ordinary example of that type of film. A magician appears, makes skeletons dance and turn into women, makes chairs frolic, etc. It’s cute enough, but if you’ve seen a lot of these, it’s nothing really special.

The Magician (1898)

THE MAGICIAN (1898)
aka Le magicien
Article 4196 by Dave Sindelar
Date: 4-5-2013
Directed by Georges Melies
Cast unknown
Country: France
What it is: Magic short

A magician sets off a series of magic occurrences.

Given the great number of shorts that Melies made involving magicians doing magic tricks, I’m not surprised one of his earliest films would have the title that this one does. And one odd thing about this one is that it doesn’t quite fit the pattern of his other magic trick films; the magician only appears for the opening couple of tricks and then vanishes from the film permanently, leaving the action in the hands of a succession of clowns, old men, and living statues. It even pursues some very minor story threads, such as the clown looking for something to eat and the old man trying to catch a disappearing woman. It lapses into incoherence at moments, but what makes it work is the sheer volume of special effects packed into a movie that runs just over one minute. It makes some of his later magic trick films seem slow.

Les roses magiques (1906)

LES ROSES MAGIQUES (1906)
aka Magic Roses
Article 4195 by Dave Sindelar
Date: 4-3-2013
Directed by Segundo de Chomon
Cast unknown
Country: France
What it is: Trick short

A magician does a variety of tricks, mostly involving turning flowers into women and vice versa.

This short is included on the Georges Melies “Encore” disc from Flicker Alley, though it isn’t a Melies short. It was intended as an example of one of the several Melies-inspired filmmakers that came in his wake. From that point of view, this is a good choice; of the ones I’ve seen from Chomon, this one most feels like it was Melies-inspired. Still, one of my favorite moments from this one involves the creation of an elaborate flower design that uses backwards footage extensively, and that’s one innovation that I don’t recall seeing from Melies. There also seems to be a touch of romanticism to this one that feels unique to Chomon. If anything, I think this does show that Chomon was more than just an imitator.

The Magic Lantern (1903)

THE MAGIC LANTERN (1903)
aka La lanterne magique
Article 4194 by Dave Sindelar
Date: 4-2-2013
Directed by Georges Melies
Cast unknown
Country: France
What it is: Musical trick film

Two clowns construct a giant magic lantern which not only projects images, but spews forth legions of dancing girls.

Though technically this is a very well done trick film, I had to admit I found this one a bit on the boring side. It’s one of those which is heavy on the dancing girls of which Melies was so fond, and though there is something to admire in the moves of an acrobatic solo dancer that shows up, I still find these sections a bit tedious. The best bit comes at the end when a troupe of gendarmes shows up and corners the two clowns in their own magic lantern; they transform into a strange creature that looks like a melding between a human and a giant puppet; it’s easily the weirdest moment of this short.

The Magic Book (1900)

THE MAGIC BOOK (1900)
aka Le livre magique
Article 4193 by Dave Sindelar
Date: 4-1-2013
Directed by Georges Melies
Cast unknown
Country: France
What it is: Magic trick short

An old magician makes characters drawn in a big book come to life. However, when he brings forth a beautiful woman, they all begin courting her, and he must find a way to get rid of his creations.

This is, in some ways, a typical example of Melies’s magic trick shorts. This one is a bit novel in that it at least has some semblance of a plot, thin as it is. His way of disposing of his characters is to have them go back into the book, but at least one of the characters (the clown, wouldn’t you know?) gives him a lot of trouble in this regard. It’s a simple but fun short from Melies.