Clash of the Titans (1981)

CLASH OF THE TITANS (1981)
Article 3608 by Dave Sindelar
Viewing Date: 6-16-2011
Posting Date: 7-1-2011
Directed by Desmond Davis
Featuring Laurence Olivier, Claire Bloom, Maggie Smith
Country: USA
What it is: Harryhausen mythological epic

In order to fulfill his destiny by marrying the princess Andromeda, Perseus must face a number of dangers, including the deformed Calibos, the gorgon Medusa, and the Kraken.

Given that this was the last film of special effects giant Ray Harryhausen, it’s hard to watch this film and not feel a little sad at how the growth of special effects technology had reached the point where Harryhausen’s talents were no longer needed. And, despite the fact that the movie has its flaws (an occasionally clumsy script, some dull stretches, most of the big names in the cast are wasted), it’s also hard not to enjoy it; whatever problems it had, it was still an improvement over SINBAD AND THE EYE OF THE TIGER. The movie’s high point is Perseus’s battle with Medusa; it’s easily the scariest scene in any Harryhausen movie, and it’s a bit of a shame that it isn’t the climax of the whole movie. There are times when it tips its hat to STAR WARS; the ending sequence involving constellations seems designed to get the movie to end in outer space, and Bubo the Owl seems like it’s supposed to be this movie’s R2D2; I am grateful that Bubo is no more annoying and tiresome than he is. I’m a little disappointed in some of the gratuitous nudity in a movie that’s otherwise a good family film, but I do like that Calibos is not a totally unsympathetic villain. All in all, there’s good points and bad points, but the fact that it marks the end of an era makes it rather special.

Cathy’s Curse (1977)

CATHY’S CURSE (1977)
aka Cauchemares

Article 3607 by Dave Sindelar
Viewing Date: 6-15-2011
Posting Date: 6-30-2011
Directed by Eddy Matalon
Featuring Alan Scarfe, Beverly Murray, Randi Allen
Country: France / Canada
What it is: A denizen of its own little world

A man moves into his dead father’s home with his wife and daughter. The daughter finds a doll that belonged to her aunt, and gets possessed by the aunt’s spirit. Strange things happen.

I’m mystified as to what effect this strange little movie that hovers in a no-man’s-land somewhere between THE EXORCIST, THE OMEN and CARRIE is trying for. If it’s horror, it missed the mark; however, if it’s head-scratching befuddlement, it succeeds all too well. Oh, it has the trappings of a horror film, all right, but it gets lost somewhere in a labyrinth of confused writing, direction, acting and editing. Scenes follow scenes without continuity, rhyme or reason, people react (or don’t react, as the case may be) in the oddest ways to strange, supernatural events, and if the ghost of the aunt has any real consistent agenda, it’s lost in the muddle. Watching this movie is like listening to someone tell a long, rambling anecdote that you keep listening to in the hope that it has a point, only to discover it’s nothing but one long non sequitur. It’s watchable in its way, but don’t try to think about it too much; it will only give you a headache.

Blood Freak (1972)

BLOOD FREAK (1972)
Article 3606 by Dave Sindelar
Viewing Date: 6-14-2011
Posting Date: 6-29-2011
Directed by Brad F. Ginter and Steve Hawkes
Featuring Steve Hawkes, Dana Cullivan, Heather Hughes
Country: USA
What it is: Christian anti-drug cautionary gore film

A biker takes a job as a food tester at a poultry farm where they have been using experimental drugs. This, combined with his own drug habit, causes him to turn into a blood-drinking turkey monster.

Imagine, if you will, that Herschell Gordon Lewis became a born-again Christian, and decided to use his skills as a gore movie director to make a horror-film update of REEFER MADNESS. I’d heard about this movie for years, and when I got a copy, I held off watching it until it popped up on my hunt list, so I could handle it properly. It’s cheap, amateurish, quite awful, demented, but not quite the laugh riot of some of my favorite bad movies. The only time it gets truly offensive is when it decides to slaughter a turkey onscreen for shock effect. It has one of those endings that will make you want to throw something at your TV screen, but, given the type of movie it is, I’m not surprised it ended the way it does. Still, there are a couple of side comments I want to make about this one. For one, I admire at least that the movie doesn’t restrict its drug criticism to just the illegal variety; after all, the experimental drugs used on the turkeys also shoulder part of the blame. And, if you bear the above comment in mind, then the scene where the movie’s chain-smoking narrator breaks into a coughing fit is not near as impenetrable as some of the comments I’ve heard make it out to be, especially if you’re actually paying attention to what he’s saying.

The Beast Must Die (1974)

THE BEAST MUST DIE (1974)
Article 3605 by Dave Sindelar
Viewing Date: 6-13-2011
Posting Date: 6-28-2011
Directed by Paul Annett
Featuring Calvin Lockhart, Peter Cushing, Marlene Clark
Country: UK
What it is: Werewolf mystery

A millionaire invites several people over to his estate for the weekend, one of which he believes to be a werewolf, though he’s not sure which one. His aim: to hunt and catch the werewolf.

For the second day in a row, I’m watching an Amicus movie featuring Peter Cushing, and, like the framing story in ASYLUM, this one also revolves around the mystery of trying to pick out a specific person from among a group of people. It’s kind of a cross between THE WOLF MAN, THE MOST DANGEROUS GAME, and an old dark house mystery, with a William Castle-like gimmick thrown in for good measure. In general, Amicus’s anthologies were superior to their non-anthologies, and this one is fairly weak in spots; the pacing is a bit turgid at times, and for those of you hoping to pick out clues as to who the werewolf is, all I can say is that the movie doesn’t really give you any good clues and when the “werewolf break” comes, you’ll just have to make a wild guess. There are some decent twists at the end, and the cast (which also includes Charles Gray and Anton Diffring) give it their best shot, but for the most part, this is fairly ordinary.