Superman Flies Again (1954)

SUPERMAN FLIES AGAIN (1954)
Article 3144 by Dave Sindelar
Viewing Date: 1-17-2010
Posting Date: 3-24-2010
Directed by George Blair and Thomas Carr
Featuring George Reeves, Noel Neill, Jack Larson
Country: USA
What it is: More “Adventures of Superman” edited into a movie

Superman has more problems to contend with. He must save a kidnapped jet pilot from spies. Then he must deal with the fact that a dog he saves is able to identify his alter ego. Lastly, he must catch a criminal impersonating a clown who means to steal the money from a telethon.

Once again, I’ve taken the approach of watching the three episodes of the series that made up this movie; they are “Jet Ace”, “The Dog Who Knew Superman”, and “The Clown Who Cried”. One disadvantage this compilation has is that it lacks a single epic story like SUPERMAN OF SCOTLAND YARD’s “Panic in the Sky”, and the meanest of the criminals (the spy in “Jet Ace”) is in the least interesting story. The story about the clown has an interesting premise, but the real winner here is the middle story, which, though the basic premise is the slightest of the bunch, still manages to be clever and charming, and even has a touch of heart to it. As for the series itself, I’ve begun to notice the sometimes witty ways they use Superman’s powers; for example, during the first story, Lois catches Clark Kent looking up at the ceiling and asks him if he thinks he can see the jet plane through it. Even if I’m not quite watching the real movie, I’m finding the series itself to be very enjoyable in its own right.

L’Affaire des poisons (1955)

L’AFFAIRE DES POISONS (1955)
aka The Poison Affair
Article 3143 by Dave Sindelar
Viewing Date: 1-15-2010
Posting Date: 3-23-2010
Directed by Henri Decoin
Featuring Danielle Darrieux, Viviane Romance, Paul Meurisse
Country: France / Italy
What it is: Historical crime drama with horror touches

A mistress, jealous of a new rival for the king’s affections, plans to frame the new mistress for the poisonings of several nobles.

I knew the bare basics of the plot before I saw this movie, but even with that as a helper, I found much of the movie, which I was only able to see in French without subtitles, very difficult to follow. Things get a little better about forty minutes into it when the poisonings begin, and though I spot a clear villainess, I still found the details very unclear because of my lack of comprehension of the language. So we’ll pass by the plot for the time being and look at the genre touches. The plot description I saw didn’t offer much help in this regard, though a case could be made for the “serial killer” theme. On seeing the movie, however, the touches become clearer; the story involves witchcraft and black masses, and part of the plot revolves around a wax doll of a woman which has a needle thrust through it. There’s also a harrowing torture sequence. Visually, it’s probably most enjoyable to people who love period costumes, but there are some sequences that have a nice moodiness to them. Still, until I can see it subtitled, I’ll reserve any sort of judgment on this one.

Superman in Scotland Yard (1954)

SUPERMAN IN SCOTLAND YARD (1954)
Article 3142 by Dave Sindelar
Viewing Date: 1-14-2010
Posting Date: 3-22-2010
Directed by George Blair and Thomas Carr
Featuring George Reeves, Noel Neill, Jack Larson
Country: USA
What it is: Classic superhero TV show episodes strung together

Superman must contend with several problems. First, there are reports of the ghost of a magician appearing five years after the man’s death. Then he looks into Jimmy Olson’s story about strange sounds in an apartment. Then he must contend with a meteor that threatens to destroy the Earth.

If a movie that consists of episodes of a TV show edited together ends up on my hunt list and stays there long enough to be shuttled off to my lost list, I’ve decided to, as a last resort, try emulating the experience by watching the TV episodes involved. This is for the most part safe; in my experience, the editing of these types of movies usually consist of replacing the credits sequences and running the episodes straight, possibly with some voice-overs added. I don’t do the same with feature versions of serials because the editing there is much more extensive.

This is my way of saying, of course, that technically, I have not seen this movie, but rather, the three episodes that made it up. The three episodes all hail from the second season of “Adventures of Superman”, and the episodes are “A Ghost for Scotland Yard”, “Lady in Black”, and “Panic in the Sky”. It’s an interesting combination; the first two both feature elements of horror, in that the one involves a ghost and the other involves strange happenings in an apartment (loud noises, paintings changing, etc.), though both have non-supernatural explanations. These two episodes are rather odd ones, in that they don’t seem to really require Superman’s superpowers, though he does use them on occasion; they could have easily been adapted to a non-superhero storyline. The third is far and away the best, and, if the ratings on IMDB are any indication, it may be the best episode from the whole series; in this one, Superman’s attempt to keep a meteor from colliding with the earth results in his amnesia.

Actually, this really marks the first time I’ve seen episodes from the series, and my main impression was that the real attraction here is the easy charm of George Reeves in the Superman/Clark Kent role; he is immensely likable. There were four other movies culled from the series (all from season two episodes, incidentally), and, unless the other three manifest themselves as individual entities, I’ll probably have to take the same strategy in watching them as well. I may be cheating, but I think, under these circumstances, it’s not cheating a whole lot.

Retorno a la juventud (1954)

RETORNO A LA JUVENTUD (1954)
aka Return to Youth
Article 3141 by Dave Sindelar
Viewing Date: 1-12-2009
Posting Date: 3-21-2010
Directed by Juan Bustillo Oro
Featuring Andres Soler, Enrique Rambal, Rosario Granados
Country: Mexico
What it is: Mexican fantasy/horror on the artier side

A doctor, pining for his lost youth, is replaced by the youthful image of himself in his portrait. However, his new youthfulness leads him into actions that result in murder…

My copy is in unsubtitled Spanish, and I’ve been unable to find an adequate plot description to help me with this one, so there may be some inaccuracy above. Furthermore, it looks as if the movie isn’t really straightforward; there’s a point in the proceedings where the sets (particularly the exteriors) take on a strong non-realistic air to them, and certain events seem incredible, even given the premise. This opens the possibility that much of the movie may be a dream (or nightmare, as the case may be). It’s quite moody, and it reminded me of EL HOMBRE SIN ROSTRO, and I was not surprised to discover both movies had the same director. Still, much of the plot seems to involve the amours of the central characters, and the encounters with jealous husbands, etc. do get a little tiring, a problem that is enhanced by the fact that the language barrier keeps me from really understanding the movie. I’m going to have to say the jury is still out on this one until I can see a dubbed/subtitled version, but parts of it certainly look intriguing.

Hiroku Kaibyoden (1969)

HIROKU KAIBYODEN (1969)
aka The Haunted Castle
Article 3140 by Dave Sindelar
Viewing Date: 1-11-2010
Posting Date: 3-20-2010
Directed by Tokuzo Tanaka
Featuring Kojiro Hongo, Naomi Kobayashi, Rokko Toura
Country: Japan
What it is: Japanese horror film

A lord’s family and house are haunted by a murderous ghost cat that turns into a female vampire.

Given that the print I saw was in unsubtitled Japanese, I’m hard pressed to ferret out plot details, but the situation is familiar; it’s your basic “revenge from beyond the grave” tale. It’s very moody, and makes excellent use of color, shadow, startling imagery (including a scene where a cat laps up the blood of a woman who has committed suicide), and especially sound; I watched this one on my computer with headphones, and the sudden shrieks and noises are really effective. The music is mostly effective, though there were a few times where certain musical motifs were overused. It’s based on a legendary “ghost cat” story from Japan, and this is the first version I’ve seen, and the thrust of the story isn’t really a whole lot different than the various “Ghost of Yotsuya” movies I’ve seen; the concept that ghosts will lure you into killing those around you is used at one point.

El asesino invisible (1965)

EL ASESINO INVISIBLE (1965)
aka Neutron Traps the Invisible Killer
Article 3139 by Dave Sindelar
Viewing Date: 1-10-2009
Posting Date: 3-19-2010
Directed by Rene Cardona
Featuring Jorge Rivera, Ana Bertha Lepe, Guillermo Murray
Country: Mexico
What it is: Mexican wrestler vs invisible man movie

The wrestler “The Golden Mask” must do battle with a homicidal invisible man.

For a while, this looked like it was going to be the Neutron movie I’d never see. In truth, I’d already seen all of the Neutron movies; this, despite the presence of Neutron’s name in the English version of the movie, does not feature Neutron, but a one-off wrestler called The Golden Mask, who, like Neutron, seems to be an actor rather than a real wrestler. Nevertheless, there are three wrestling scenes in this one. The first is at the very top of the movie, and I don’t remember if The Golden Mask was in it because I didn’t know what he was going to look like at the time. I know he isn’t in the second wrestling scene at all, and, though he appears in the third, that’s the only one that appears crucial to the plot, as the invisible man gets into the act. We do get plenty of nightclub scenes featuring Ana Bertha Lepe (who, based on seeing her name emblazoned across the marquee of the nightclub, appears to be playing herself), and some of her dances are pretty sexy. Still, I wouldn’t trust her with a gun; every time the invisible man shows up, she starts shooting all over the place. My copy is unsubtitled Spanish, and is a little difficult to follow, though I was able to pick up at least one plot element that gave me a clue to what was probably supposed to be a surprise ending. There’s a couple of clever moments (including one with a lynx), but overall, this isn’t one of the more memorable Mexican wrestler movies.

Les allumettes fantaisistes (1912)

LES ALLUMETTES FANTAISISTES (1912)
aka Magical Matches
Article 3138 by Dave Sindelar
Viewing Date: 1-8-2009
Posting Date: 3-17-2010
Directed by Emile Cohl
No cast
Country: France
What it is: Animated abstract fantasy

Matches come to life, cavort, dance, and form themselves into figures who smoke.

I’m not sure if this is exactly the movie I’ve been hunting for, but I’ll review it anyway, as this type of abstract animation could be classified as a fantasy. This is the first movie I’ve seen by pioneer animator Emile Cohl, and it is utterly charming. There’s no plot; it jumps between pure abstraction and scenes about animated smokers; one smokes from a bewildering array of pipes, while another has his cigarette lit by any number of lighting devices. This can be found online at the Europa Film Treasures site, and is well worth hunting up.

The Wandering Jew (1904)

THE WANDERING JEW (1904)
aka Le juif errant
Article 3137 by Dave Sindelar
Viewing Date: 1-7-2010
Posting Date: 3-17-2010
Directed by Georges Melies
Cast unknown
Country: France
What it is: Melies trick film, though on the more serious side

The Wandering Jew dreams of the event that brought about his curse, and then is tormented by a devil and has visions of the Mother of God.

I had given up this Melies short for lost some time ago, but while researching another movie on my hunt list, I discovered a site called the Europa Film Treasures that had it online. It’s Melies in a more somber mood than usual, and the backgrounds, though obviously painted, look much more realistic. In some ways, this is one of Melies’s more impressive shorts; I especially like the lightning that flashes across the sky at the end of the movie. I’m always glad when I can retrieve a movie from my lost list and add it to my watched list.

****NOTE**** This movie also became available through the new collection of Melies shorts from Flicker Alley.

Marguerite de la nuit (1955)

MARGUERITE DE LA NUIT (1955)
aka Marguerite of the Night
Article 3136 by Dave Sindelar
Viewing Date: 1-6-2010
Posting Date: 3-15-2010
Directed by Claude Autant-Lara
Featuring Michele Morgan, Yves Montand, Jean Debucourt
Country: Italy/France
What it is: Updated Faust story

An old doctor sells his soul to the devil to possess the beautiful Marguerite, but finds his joy may be short-lived…

I finally got a chance to watch this movie, and, even though my copy is in unsubtitled French, I found it quite enjoyable. It helped, of course, to have a certain familiarity with the Faust story to begin with, but it helps that there are some excellent performances here from Michele Morgan and Yves Montand (I’ve come to discover that, even in a language you don’t understand, good acting shines through) and from some stunning set design and excellent use of color. In some ways, it looks like a Douglas Sirk movie with touches of THE CABINET OF DR. CALIGARI around the edges. The sets look artificial, but this is intentional, and I think that the opening scene in which we watch the final scene of an opera about Faust hints that the movie itself is no less staged than the opera. The first thirty minutes work best, as I love the visual touches and tricks, such as the cigarette that won’t go out, the shadow of the hand, and the bright red entrance of the nightclub which makes it look like a descent into hell. Things get a big draggy in the middle, and it took a while for me to pick up from the visual clues just where the story was going, but I eventually figured it out. Granted, it would have been better had I had English subtitles to help, but as far as watching movies in foreign languages go, I found this was one of the easier ones to follow.

Come rubammo la bomba atomica (1967)

COME RUBAMMO LA BOMBA ATOMICA (1967)
aka How We Stole the Atomic Bomb
Article 3135 by Dave Sindelar
Viewing Date: 1-2-2010
Posting Date: 3-15-2010
Directed by Lucio Fulci
Featuring Franco Franchi, Ciccio Ingrassia, Julie Menard
Country: Italy/Egypt
What it is: Spy parody

A fisherman witnesses the crash of an American Air Force plane believed to be carrying an atomic bomb. He becomes the target of spies who believes he has information about the bomb.

So far the only Franco and Ciccio movie I’ve seen in English is DR. GOLDFOOT AND THE GIRL BOMBS, a movie that was not only a sequel to an American movie but featured an American star in the form of Vincent Price. In other words, I suspect that Franco and Ciccio weren’t the main attraction to English-speaking audiences, and I suppose it’s not surprising that all of the other movies I’ve seen of theirs I’ve only been able to find in unsubtitled Italian. Fortunately, IMDB had a full plot synopsis that I was able to follow to help me here.

For what it’s worth, Franco (the short one addicted to shouting and mugging) is slightly less annoying here than usual, though it doesn’t really help much (he needs to be a LOT less annoying). Initially, they don’t work as a team here; Franco is the fisherman, and Ciccio is a down-on-his-luck spy whose career is dependent on finding the bomb in question. It’s only in the latter half of the movie that they spend a lot of time working together. The plot itself isn’t too bad as far as these things go, and the fantastic content, outside of the marginal spy content, actually delves a bit into horror when one of the villains is trying to use the bomb to revive an Egyptian mummy. The humor even takes an ominous satirical turn towards the end, when the two comedians become for all practical reasons international terrorists. Still, the funniest thing about the movie has little to do with the duo; there’s a trio of of competing spies all trying to get their hands on the bomb who are so busy fighting each other they let their real prey get away. Outside of that, the comic highlight is seeing Ciccio strapped to a butt-kicking machine. Now, if only it had been Franco…