A Face in the Fog (1936)

A FACE IN THE FOG (1936)
Article #70 by Dave Sindelar
Viewing date: 5-25-2001
Posting date: 10-8-2001

A hunchback killer known as “The Fiend” has been killing off members of a theatrical troupe using a special gun that shoots frozen poison. When a plucky girl reporter prints a story claiming she can identify “The Fiend”, she finds herself the next target of the killer.

Basically, this is a mystery with slight horror and SF elements, a type of movie very common during the thirties. This one is quite silly, but fun in its hokey way.

The comic relief is provided by Al “Fuzzy” St. John, a comedian from the silent era who would later be most known for playing bewhiskered sidekicks in B-Westerns, and here he plays Elmer, the befuddled photographer. Oddly enough, I can’t decide whether I like him or not, but I am geniuinely amused by some of his shenanigans, and he may well be the best thing in the movie. In fact, I had to rewatch this movie in preparation for writing this MOTD entry, because all I could remember from my first viewing was that Elmer had this impenetrable running joke, which I will now quote. “What’s the difference, as long as you’re healthy!” This line comes out of nowhere, pops up several times, and goes nowhere. Consider yourself prepared.

Dr. Cyclops (1940)

DR. CYCLOPS (1940)
Article #69 by Dave Sindelar
Viewing date: 5-24-2001
Posting date: 10-7-2001

A scientist with bad vision experiments with the power to miniaturize animals. He invites a group of scientists to his jungle laboratory to solve a minor problem, and when they don’t leave after he’s finished with them, he miniaturizes them.

This is a solid SF adventure flick from one of the directors of KING KONG, and though I don’t consider it a real classic, it’s certainly quite enjoyable. I particularly like Albert Dekker’s performance as Dr. Thorkal a.k.a. Dr. Cyclops; his madness is peppered with a number of quirky traits, and he is in fact a surprisingly vulnerable individual. He is like no other mad scientist that I can think of, and this novelty gives the movie much of its appeal.

Deluge (1933)

DELUGE (1933)
Article #68 by Dave Sindelar
Viewing date: 5-23-2001
Posting date: 10-06-2001

An eclipse of the sun causes the destruction of most of the earth. Afterwards, the survivors face the challenge of trying to rebuild civilization.

Watching foreign movies is always a bit of a problem. Having subtitles with the movie is the preferable way, though it does tend to divert your attention from the visuals. Dubbing allows you to keep your eyes on the screen, but tends to be distracting to the ears. So imagine, if you will, the experience of watching a movie that is both subtitled and dubbed, which is perhaps the only way you can see this movie, despite it having been an English-language film. The only known print had been dubbed into Italian, and for American release on video, English subtitles were added. Given the situation, I think I would have preferred that this movie be redubbed.

Nonetheless, I think this is a very good early sound science fiction epic. The destruction of New York by tidal wave is a great special effects sequence, and is the highlight of the film. The second half settles into a kind of post-apocalyptic soap opera, but because the characters and situations are handled with a certain amount of honesty, this sequence is also quite good. This is definitely a movie worth catching even with having to watch it in its current condition.

The Deadly Mantis (1957)

THE DEADLY MANTIS (1957)
Article #67 by Dave Sindelar
Viewing date: 5-22-2001
Posting date: 10-5-2001

Nuclear testing releases a giant preying mantis from captivity, and it begins a reign of terror on the world.

This is another one of the Big Bug movies that appeared in the wake of THEM!, and like many of the others, it used that movie as a blueprint, even if it never quite understands why or how the original worked. I find the characters unmemorable, the story a bit clumsy, and some of the scenes poorly handled. (The scenes of the soldiers slobbering over the only woman they’ve seen in months is, in fact, embarassing to watch.) Yet, despite all this, the movie is fun and quite energetic; credit director Nathan Juran for having the good sense to keep things lively, a trait he seems to possess no matter what kind of ridiculous movie he was given to direct. In fact, I have a couple of favorite scenes from this movie; the scene where the soldiers run from the mantis amidst a snow field full of barrels, and the quite funny scene where the people talk about their inability to find the mantis while we see the legs of the beast walking around outside the window.

Chandu the Magician (1932)

CHANDU THE MAGICIAN (1932)
Article #66 by Dave Sindelar
Viewing date: 5-21-2001
Posting date: 10-4-2001

Chandu (Edmund Lowe) becomes a full-fledged yogi just in time to save his brother, who has just invented a death ray. He has been kidnapped by the evil Roxor (Bela Lugosi), who plans to use the death ray for his own fiendish ends.

Despite a fair amount of action and the wonderful performance by Bela, I find myself rather bored by this action-adventure movie. Part of it may be the quality of the print I’ve seen, but part of it is definitely Edmund Lowe, who is way too bland for my tastes for the part of the hero; I found myself sitting around just waiting for Bela to show up and add some life to the proceedings. In fact, when RETURN OF CHANDU was made a couple of years after this, Bela was playing the Chandu role.

Escapement (1958)

ESCAPEMENT (1958)
(a.k.a. THE ELECTRONIC MONSTER)
Article #65 by Dave Sindelar
Viewing date: 5-20-2001
Posting date: 10-3-2001

When a movie star dies in a car accident, an insurance investigator is sent out to make sure it wasn’t murder or suicide. He discovers the actor was a patient at a clinic that helped people to escape from everyday life by hooking them up to machines that cause them to have prerecorded experiences. Unfortunately, the head of the clinic is using the facility to brainwash the patients for his own ends.

There are some intriguing ideas in this SF thriller; however, the movie itself is hackneyed, incredibly talky, and quite dull. Especially disappointing are the sequences where they show the prerecorded tapes used on the patients; they all look like very poorly choreographed dance routines. A further problem is the preponderance of French accents, some of which are almost impenetrable. All in all, a lost opportunity.

The Devil’s Partner (1958)

THE DEVIL’S PARTNER (1958)
Article #64 by Dave Sindelar
Viewing date: 5-19-2001
Posting date: 10-2-2001

An old man makes a pact with the devil. A few days later, his nephew rolls into town to discover that the old man was found dead, and has already been buried at the town’s expense. He takes over the old man’s shack, and then a series of strange deaths occur. A man suffering from TB dies of a coronary after drinking some milk from one of the old man’s goats; the owner of a gas station is attacked by his faithful dog, etc. The local sheriff begins to investigate.

This “pact with the devil” film sat on the shelf for four years before it was released. The ads for the movie show a woman riding the back of a centaur; five minutes into the movie, you will know no such scene is going to occur, as the cheapness of the movie becomes evident. For all that, it’s watchable enough, but the plot is poorly thought out. The death of the old man who drinks the goat’s milk serves no purpose whatsoever, and the wino character is nothing but a badly contrived plot device to pass on crucial information to the sheriff. Also, the nature of the powers granted by the devil seems to change in midstream; the nephew begins by being able to control animals, but later has the power to change into them instead. Though this latter power may seem more impressive, he uses it at times where he would have been better off controlling another animal instead of putting himself at risk. This is one badly plotted movie.

Children of the Damned (1963)

CHILDREN OF THE DAMNED (1963)
Article #63 by Dave Sindelar
Viewing date: 5-18-2001
Posting date: 10-1-2001

Scientists discover a group of children from around the world who have extraordinary mental abilities and appear to be in telepathic rapport with each other. This causes the government to take concern over the fact that they may destroy the human race.

This movie is generally thought of as a sequel to VILLAGE OF THE DAMNED (based on John Wyndham’s The Midwich Cuckoos), but I don’t really consider it as such. It takes many of the concepts of the original, and uses them in a different framework with a different point of view; in fact, this movie attempts to generate sympathy for the children, something that was definitely not present in VILLAGE. Also, where that movie’s climax pitted one man (George Sanders) against the children, in this one, the children are pitted against the full force of the British army, and it’s easy to see where are sympathy is supposed to lie. However, the movie undercuts itself by making some of the deaths suffered by those who oppose the children fairly nasty, and we’re left ultimately not quite sure how to feel about the whole thing.

Some people prefer this movie to VILLAGE, and I can see why; nonetheless, I prefer VILLAGE, as that movie creeps me out in a way this one does not. Though this one is an interesting variation on the theme, I can’t say I find it a particularly satisfying one.

The Demon Barber of Fleet Street (1936)

THE DEMON BARBER OF FLEET STREET (1936)
(a.k.a. SWEENEY TODD, THE DEMON BARBER OF FLEET STREET)
Article #62 by Dave Sindelar
Viewing date: 5-17-2001
Posting date: 9-30-2001

An evil barber, Sweeney Todd (Tod Slaughter), makes his fortune by murdering rich customers and taking their money. He is partners with an old woman running a meat pie shop, who takes care of the disposal of the bodies. Problems arise when his partner begins to suspect he is cheating on splitting the money with her. She ends up helping the beau of the woman whom Sweeney wants for his own.

This is the first and (at this time) only Tod Slaughter movie I’ve seen; there is no doubt that he loved playing villainous characters, with his gleeful laugh and contempt for all. The whole story is fun, with Sweeney as a Dickensian villain, terrorizing his apprentices and cajoling his victims with the promise of how quickly he will “polish them off.” I also like how the movie never becomes explicit in how the old lady disposes of the bodies; it adds some nice touches of comic subtlety to the movie, my favorite being a discussion on that particular topic as one of the comic relief characters merrily munches away on one of the meat pies.

Flash Gordon (1936)

FLASH GORDON (1936)
Article #61 by Dave Sindelar
Viewing date: 5-16-2001
Posting date: 9-29-2001

Flash Gordon meets up with Doctor Zarkov and Dale Arden, and they go to the planet Mongo to defeat the evil emperor, Ming the Merciless.

This is probably the best serial I’ve seen to date. The story doesn’t start spinning its wheels after the first two episodes; in fact, the story lasts throughout the full length of the serial. It also avoids the trick used by many serials of editing new scenes before the cliffhanger in the following episode, a trick that I find somewhat dishonest and unsatisfying. The costumes and monsters are a bit silly, but that’s part of the fun. This is one of the serials that is actually as fun as they are supposed to be.